Frank Corcoran

A SCATTY 2012 HAIKU

It pisses moonlight

Through rotten rafters ruined

The wind moans my end

FRANK CORCORAN :

Born 1944 in Borrisokane, Tipperary, near the mighty Shannon river.

Studied philosophy, music, ancient languages, theology, in Maynooth, Rome and Dublin and compositio in Berlin ( Boris Blacher ) .
Has written orchestral, choral, chamber and computer music .1980 – 81 Berliner Künstlerprogramm. Professor at Hamburg 1983 – 2008 .
1989 – 90 Fulbright Professor in the U.S.A. Guest lecturer at Harvard, Princeton, Indiana, NYU, CalArts, etc.
Member of the Irish Academy of the Arts Aosdana since 1982.
His works have been recorded and broadcast in Europe, U.S.A., Canada, Australia, etc.
First Symphony premiered in Vienna1981.

Represented several times at the International Composers´Rostrum.

For his seventieth birthday 2014 CMC Film:
” The Light Gleams ” .

Many commissions and distinctions. Awards include :

First Varming Prize for Irish Composers 1974, Dublin Symphony Orchestra Prize 1975,
Studio Akustische Kunst 1995 ( JOYCEPEAK MUSIK ),
Bourges Festival Premier Prix 1999 ( SWEENEY´S VISION ) ,
Swedish E.M.S. Prize 2002 ( QUASI UNA MISSA ) ,
International Foundation for Choral Music 2013 First Prize ( EIGHT HAIKUS ) ,
Cork International Choral Festival 2012 ( TWO UNHOLY HAIKUS ) etc.

New works include :

CELLO CONCERTO ( N.S.O. Dublin 2015 ) , ALL MY ALTO RHAPSODIES ( Italy 2014 ) QUASI UNA STORIA for String Orchestra ( New York 2015 ), VIOLIN CONCERTO ( Irish Radio / N.S.O. 2012 ) CLARINET QUINTET ( RTE commission 2011 ) , NINE ASPECTS OF AN IRISH POEM for Choir and Solo Violin ( NDR 2010 ) , FOUR ORCHESTRAL PRAYERS ( N.S.O. 2010 ) , MAD SWEENEY ( Boston Musica Viva 2006 ) etc.

For discography etc.

see www.frankcorcoran.com

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CMCIreland – Cross Currents: Frank Corcoran

Sat 12th May 2018

Crescent Arts Centre, Belfast

7.30pm

Duos, trios and quartets are unusually absent from this event, which instead focuses on pieces for the full ensemble

contrasted with solo works. However, the cello work Strum, Strum and be Hang’d from Belfast composer David Byers and

Save the whale from the late Dutch composer Ton Bruynel both have additional “tape” elements; the latter is all the

more unique using as it uses the rare contrabass clarinet. John Buckley’shighly virtuosic 2 Fantasias for Alto flute

and the Irish premiere of Piers Hellawell’s Let’s Dance, for solo percussion, complete the solo works.

For larger forces, two of the HRSE commissions for this season appear here. Greg Caffrey’s work, ..for peace comes
dropping slow, takes inspiration from one of Yeats’ most famous poems.

The other newly commissioned work, A Battuta, is the latest creation coaxed from the pen of Derry born Kevin O’Connell.

It is fitting that a “Pierrot format” ensemble such as HRSE should give the world premiere performance of Frank Corcoran’s own Nine looks at Pierrot

and we continue to celebrate our 2017/18 Featured Composer, Ian Wilson’s output with a performance of Involute, a

piece that sees the format expand to include percussion.

Music by: Greg Caffrey, John Buckley, Ian Wilson, David Byers, Kevin O’Connell, Ton Bruynel, Frank Corcoran,

Piers Hellawell and Hans Werner Henze.

N D R KULTUR 11.11.2017

0:00 Prisma Musik
Thema: Kleine Schule des musikalischen Hörens
Frank Corcoran hört das Cellokonzert von Edward Elgar
“Elgars langsame Passagen zerreißen mich innerlich gerade … Es ist wie das Destillat einer Träne”, gestand Jacqueline du Pré einmal, die vielleicht berühmteste Interpretin dieses Werks. Kurz nach dem Ersten Weltkrieg entstand das Cellokonzert, das man einmal die “Elegie auf eine untergegangene Zivilisation” genannt hat, in der ländlichen Abgeschiedenheit seines Landhauses in Sussex. Das Werk markiert gleichsam den Gegenpol zu “Pomp and Circumstance” in Elgars Schaffen, eine Musik des Abschieds, verhaltener und sparsamer in den Mitteln als alle Orchesterwerke der Vorkriegszeit.

20:00 Nachrichten, Wetter

22:00 Variationen zum Thema
Musikbeispiele zum Themenabend
Edward Elgar:
Konzert für Violoncello und Orchester e-Moll op. 85
Steven Isserlis, Violoncello
Philharmonia Orchestra London
Leitung: Paavo Järvi
Klavierquintett a-Moll op. 84
Pihtipudas Kvintetti
Frank Corcoran:
Cellokonzert
Martin Johnson, Violoncello
RTE National Symphony Orchestra
Leitung: Gavin Maloney
Frank Corcoran:
Rhapsodic Thinking fuer 8 Celli
RTE N.S.O.
Leitung; Gavin Maloney

A FEW FRANK CORCORAN HAIKUS IN MAY NOW – HERE IN STILL COOL LAZIO

His old begging-bowl,
Receiving its cold pennies,
The night will be cold.

” Hunger’s the best sauce”
Weeping, he bites his cold lips.
Once it was different.

“Do bhi bean uasal “….
That nasal tin-whistle tune .
‘Twould put years on you.

Tonight no haiku.
No, the cold moon was rising.
No pen, no paper….

fuaim ársa
bonn airgid ag titim
i mbabhla déirce

ancient sound
a coin drops
in a begging bowl
Reply Reply All Forward

FRANK CORCORAN

8 DUETTI IRLANDESI

It is in the Annals Of the Four Masters ; their entry for the year 1498 records the death of a distant ancestor of mine , Floirint O Corcorain,
” saoi cruitire ” , a master harper.

How many of these eight melodies, or their melodic prototypes, were already in Floirint’s repertoire ?

I wrote the ” 8 miniatures for cello and piano ”

in 2016 and 2015. These traditional “sean nos ” melodies have been haunting me since my rural childhood in Tipperary .

I had long been appalled by the settings of old Irish melodies attempted by Beethoven, Haydn, Britten , Harty and
too many other well/meaning composers, by their often saccharine harmonies, their rhythmic iron corset or indeed the foursquare form which they too often adopted….

In my 8 settings I have had to respect the fundamentally monodic nature of each song, I have to take great care of its modal intentions and linear ornamentations – and, indeed, its rock/solid architectural form ( which is normally an arched A B B A structure. )

Their rhythm is normally that of the Old Spanish sarabande, a heavy three in the bar / and how the sarabande came so strongly to impregnate the Irish harpers and the music they played or recited since the 16th. century is anybody-s guess…
So I “set” a traditional Irish air
–
and the cello has to sing its plaintive song while the piano remains orchestral with its myriad colours and short phrases and echoes and motivs.

SEAN O DUIBHIR AN GHLEANNA I learned with six in my rural Borrisokane school, this Jacobite lament by John O-Dwyer from Aherlow who with the downfall of Catholic King James at the hands of Protestant William of Orange has lost his lands, his everything . Finest nature lyricism in its text >
” On my rising in the golden morning with its resurgent sun I heard the sounds of the hunting horn, the distant guns and an old peasant woman lamenting the loss of her geese. ”

PRIOSUN CLUAIN MEALA, “The Prison Of Clonmel” , another Tipperary tune, dating from the revolution year 1798 is certainly older. Again, the words of its lament / with their almost Mahlerian / Des Knabenwunderhorn
quality are very fine. This young prisoner will be hanged next Friday….
” My Kerry friends, pray for me, your voices are soft to my ear. I never did think that I would never return to ye. Our three heads they-ll place upon spikes to make a grand spectacle . The snows of the night and all harsh weather will bleach us…. ”

In the myxolydic love/song A MHAIRIN DE BARRA the singer curses his lover, his Mary Barry who has got between him and God.

There are at least two versions of that great Romeo/and/Juliet Co. Roscommon song A UNA BHAIN / Tomas Mac Coisdealbha was drowned in his nightly swimming across lovely Lough Key to visit
his fair Una ” you were a candlabra on the festive table for a queen…. ”
and still today on Trinity Island you can visit the two intertwined trees growing from their two graves.

In the first version, piano harmonics echo the cello-s wild high line.
In the second version it is the cello-s primitive pizzicati on the open strings which punctates the piano-s vain attempt to imitate the ululations of Connamara folksinger, legendary Joe Heaney, in those distant fifties of my childhood.

Ever since the film/music of Irish composer, Sean O Riada, in the sixties achieved iconic status, fiery ROISIN DUBH also has become for many the Song of Revolution , indeed almost an Irish “Finlandia” .
Its huge melodic ascent and its incandescent leaps strain to express the folk/ poet-s inexpressible vision < " The ships are on the ocean deep. There will be wine from the royal Pope for my Dark Rosaleen, symbol of a little nation,s political Rising." These eight settings of eight great, traditional Irish melodies, indeed almost chants, are of course also eight historical pictures of my vanished Ireland . Vanished. FRANK CORCORAN

SINEAD HAYES

Upcoming Shows / Local Dates

Track Artist

12 May

Involute: Music by Caffrey, Corcoran, Henze and more
Belfast, Uk

It is fitting that a “Pierrot format” ensemble such as HRSE should give the world premiere performance of Frank Corcoran’s own

” Nine looks at Pierrot ”

and we continue to celebrate our 2017/18 Featured Composer, Ian Wilson’s output with a performance of Involute,…

FRANK CORCORAN

Symphonies 2.3. and 4. /Marco Polo/

Both stylistically and geographically, Frank Corcoran’s music is literally a long way from Tipperary, where he was born in 1944.

The Hamburg-based composer studied with Boris Blacher, whose feisty orchestration and logical cool rubbed off on his pupil.

Corcoran’s sound world, though, evokes the steel-edged structures of Edgar Varèse, as well as Elliott Carter’s complex yet pliable metric schemes.
Every shape and size of percussion dominates the thematic discourse, while the wind and brass players provide punctuating signposts.
The lower strings grunt and groan in fractured, half-remembered melodies, trying to find their rightful corner within Corcoran’s spacious, yet tersely woven canvasses.

Descriptions, however, only hint at Corcoran’s freshness of invention and superb ear for timbral contrasts.

The performances are fluent, assured, and superbly recorded.

Anyone who harbors doubts about the future of the symphony will find these three works

quivering with possibilities.